Category: Anti-Sicilian

Losing to a Legend: an interesting c3 Sicilian

This evening at the Marshall Chess Club, I had the pleasure of playing chess with IM Renato Naranja, former Champion of The Philippines, Pan-Asian Champion, World Championship candidate, 10 time Chess Olympian, and who drew Bobby Fischer in Palma de Mallorca.

For a while, he chatted with me amiably while I studied games from John Watson’s “Secrets of Modern Chess Strategy.” Playing through variations and discussing ideas, he illuminated concepts I would not have otherwise noticed, much less grasped. Many strong players refuse to play friendly games of chess, demanding money for their valuable time. This was not the case with Renato. He was as genial as he was genius, basically giving me a friendly chess lesson in exchange for nothing more than pleasant conversation.

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An interesting idea in the Alapin Sicilian: Releasing the Tension with dxc5

There is an idea which I think is a wonderful bit of knowledge to have for the c3 player. It is advocated by both Rosentalis and Hartley in their tome on the c3 sicilian, as well as Sveshnikov in his recently released manual on the c3 Sicilian. It has been my experience that of the two most common replies to 2.c3, 2…Nf6 and 2…d5, the latter is by far the most common. The idea involves offering an early exchange of queens with dxc5. One line which I have seen in practice is 1.e4 c5 2.c3 d5 3.exd5 Qxd5 4.d4 Nf6 5.Nf3 Bg4 and now 6.cxd5!? giving us the following position.

Here, if black accepts the exchange of queens, then he seemingly enters an ending down a pawn. However, this ending is actually the most testing, since after Qxc5, white will win tempo off the queen to develop rapidly and bring pressure to black’s queenside immediately. One miniature, which I played in a tournament recently, followed this pattern to a quick conclusion.

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An Explosive Attacking Theme

The other day, while listening to the live commentary to the game Short-Anand in Round 4 of the London Chess Classic, GM Gordon and IM Peterson noted briefly a common attacking theme that is popular among class players. It was a plan I had seen before, and even employed myself in the Dutch. In its simplest form, it is illustrated In the introduction to “The Classical Dutch” by Simon Williams. Including only the relevant portion of the board and noting that black’s pieces are on their ideal squares for an attack, he demonstrates the attacking motif with the following diagram:

Here, the idea is simply to win by playing Bxg2, fxg3, Rxf3, and either mating on h2 or winning a ton of material. This setup occurs naturally in the Classical Dutch, following the maneuver Qd8-e8, h4. By coming to the king-side so quickly, the queen brings enormous pressure to bear on white’s position. The move 7…Qe8 is common in both the Classical Dutch and the Leningrad, and is a move that I favor for precisely this reason. A dream continuation in a game would look something like this:

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Sicilian Rossolimo Part III: 4.0-0

In our third installment on the Rossolimo anti-sicilian, we turn to the variation 4.0-0. This move is probably the most common, since it rapidly develops white’s kingside and seeks information from black. When I play the Rossolimo with the white pieces, this is the variation that I favor. Below, I will outline a unique idea for white which might be objectively worse but has given me great practical chances over the board. Keeping in mind that all of the ideas presented in the earlier two posts are equally relevant here considering the wealth of transpositional possibilities in this variation, I would like to look at the following position as the main starting tabiya for this post. This position occurs after the moves: 1.e4 c5 2.Nf3 Nc6 3. Bb5 g6 4.0-0 Bg7 5.Re1, when black has several moves at his disposal, though the two most common choices are either the solid e5, or the dynamic Nf6.

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Ideas in the Sicilian Rossolimo Part II: 4.c3

As I mentioned in the first post dealing with this opening, some of these variations can transpose. As the moves 4.Bxc6, 4.c3, and 4.0-0 are not mutually exclusive, the Rossolimo has the potential for fluid transpositions. Often, there are only a few ideas, and like the c3 Sicilian, the variations are not forcing but rather it is more of an “ideas” opening.
However, the move 4.c3 does open up some unique possibilities for white. By preparing to hit the center with a quick d4, white can quickly pressure black on the light squares, though the position can also transpose to a c3 Sicilian completely. By playing 4…Nf6, black beckons the white pawn to e5. This variation can be sharp when white pressures the f7 square with his queen and bishop, requiring black to do some gymnastics with his knights in order to keep up. The sample games below illustrate some ideas for both sides.

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Ideas in the Sicilian Rossolimo: Part I 4.Bxc6

For anyone who plays the Sveshnikov Sicilian, or other Sicilians with 2…Nc6, a knowledge of the Rossolimo variation is crucial. The 3.Bb5(+) anti-Sicilians are extremely popular, and it’s impossible to play 1…c5 without encountering them. In this 3 part series, I’m going to look at some games and try to find some themes and ideas for both sides in this variation. The three posts will revolve around positions where white plays (1) Bxc6 (2) c3 and/or (3) 0-0. Naturally, many of these lines transpose, and so I will look for games that reflect ideas unique to these positions.

The great thing about the Rossolimo from white’s perspective is that the variations tend not to be as forcing as some other lines of the Sicilian, and so white can play a maneuvering game and decide upon piece placement and long term positional plans. The following game illustrates an idea for white that I rather like. It’s a stylish knight maneuver that clamps down on the center, played by our hometown hero Yudasin. I’m not sure whether he was the first to play this idea or not, but this was the first game I found with this knight maneuver when searching for ideas for white. While Kramnik is able to draw here, I think that Yudasin’s idea of Nd2-c4-e3 is worth its weight in gold, particularly in a blitz game where black might not have the time to reckon with the activity of this wonderfully placed knight.

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Two Interesting c3 Sicilians

While we’re waiting for Sveshnikov’s book “The Complete c3 Sicilian” to come out, I thought I would offer this interesting c3 Sicilian I played recently on a correspondence chess website. In it, we follow the current mainline pretty deep, reaching a fascinating middle game. Comments in the notation.

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Challenging the Sicilian with 2.a3!?

The Bulgarian chess publisher “Chess Stars” has put out some fantastic literature. Their opening series according to Anand/Kramnik are well known and sought after, and their book entitled “getting an edge against the grunfeld” is one of the most in depth and impressive high level books I own. Unfortunately, there are a few of their books that are so rare and hard to find that they practically don’t exist. “Challenging the Sicilian with 2.a3!?,” by Alexei Bezgodov is one of them.

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